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The Bee God

by Ted HughesPrescribed for HSC English 2024–2027 (NESA) · Last reviewed The Bee God is a poem by the English poet Ted Hughes, published in his 1998 collection Birthday Letters.

Summary

The Bee God is a poem by the English poet Ted Hughes, published in his 1998 collection Birthday Letters. Borrowing the bee imagery of Sylvia Plath's The Arrival of the Bee Box, it reflects on her mental illness and her father's hold over her, and is studied in HSC English Advanced Module A: Textual Conversations.

Key idea

This poem considers Plath’s vulnerability, Hughes’ difficulty to understand, and empathise with, Plath’s trauma and the breakdown of their relationship

It can be paired with Plath's poem Daddy.

Overview

This poem borrows the metaphor of the bees used by Plath in The Arrival of the Bee Box to offer a similar examination of her mental state, and the towering presence of Otto Hughes in his daughter’s life – specifically, his role in her mental illness.

The opening line, ‘When you wanted bees I never dreamed / It meant your Daddy had come up out of the well.’ utilises the metaphor of the ‘well’ to describe Plath’s subconsciousness, as Hughes reflects his ambivalence about her father re-emerging. As in Plath’s poem, the bees in The Bee God represent Plath’s mental illness. As such, by casting Plath as an abbess presiding over a nunnery of bees, Hughes suggests that Plath maintains a degree of control over her psyche. The morbid imagery in ‘But you bowed over your bees / As you bowed over your Daddy’ conjures the image of Plath observing her father lying in his coffin, as Hughes reminds us of Otto’s death and thus of his unabating presence in Plath’s life. Hughes’ deliberate decision to constantly refer to Otto as ‘Daddy’ reminds us of the role he played in Plath’s life, and ensures that she remains restricted to a child-like status.

Plath’s mental illness, and Hughes’ inability to locate a stable sense of self within her, is reflected in the poem’s plural imagery of her new selves. Hughes then describes the act of freeing the bees, but they proceed to attack him. This attack metaphorically represents how Hughes was directly exposed to Plath’s psychosis. By depicting the bees as fanatics for their god, Hughes references Otto, and his god-like power over Plath’s mind.

The final two lines, ‘Deaf to your pleas’ conveys how Plath had no control over her psychosis, while ‘as the fixed stars / At the bottom of the well.’ conveys the idea that they are coming from somewhere dark and mysterious.

With The Bee God, Hughes reflects on the grip Otto Plath maintained on his daughter after his death, and how it affected his relationship with Sylvia. We see him try to make sense of her psychosis, but ultimately fail to find any answers or resolution.

Context

Ted Hughes (1930-1998), one of the major English poets of the twentieth century and Poet Laureate from 1984, was married to the American poet Sylvia Plath from 1956 until her death in 1963. Birthday Letters, the 1998 collection in which The Bee God appears, was published only months before Hughes died and broke his decades of public silence about the marriage. The poem answers Plath's famous sequence of bee poems, written in October 1962, which drew on the beekeeping she took up in emulation of her father Otto, a biology professor and authority on bees who died when she was eight. Where Plath's The Arrival of the Bee Box explores her psyche from within, Hughes writes as an observer watching her be overtaken. For Module A: Textual Conversations, the two poems form one of the clearest resonance pairings in the Plath and Hughes study.

Quote Table

  • ‘At the bottom of the well.’

    Technique
    Circularity
    Idea
    Hughes’s continued struggle with Plath
  • ‘You did not want me to go but your bees / Had their own ideas.’

    Technique
    Allusion
    Idea
    Impact of Plath on Hughes
  • ‘But you bowed over your bees / As you bowed over your Daddy.’

    Technique
    Parallelism, Intertextuality
    Idea
    Hughes’s perspective on Plath and Otto
  • ‘But when you put on your white regalia, / Your veil, your gloves, I never guessed a wedding’

    Technique
    Symbolism, Intertextuality
    Idea
    Disconnection from Plath
  • ‘When you wanted bees I never dreamed / It meant your Daddy had come up out of the well’

    Technique
    Allusion, Intertextuality
    Idea
    Perspective on Plath

Plath and Hughes - Visual Aid

Visual aidPlath and Hughes
Themes

Memory, truth, mythopoesis, gender, social accountability, faith, feminism, mental health

Context
  • Plath's Ariel collection was published post-humously after her death
  • Hughes' The Birthday Letters responds to his involvement in her death
  • Hughes utilises techniques characteristic of Plath's collection to tell a new story, or an old one from his perspective.
Poetry Pairings
Mythopoesis Quotes
  • 'I rise with my red hair / And I eat men like air.'
  • "O my enemy. / Do I terrify?"
  • 'Our room was red. A judgement chamber. / Shut casket for gems.'
  • "You revelled in red. / I felt it raw"

Frequently Asked Questions

Which module is The Bee God studied in for the HSC?
The Bee God is studied in HSC English Advanced Module A: Textual Conversations, where Hughes' Birthday Letters is paired with Sylvia Plath's poetry.
Who wrote The Bee God?
Ted Hughes wrote The Bee God, and it was published in his 1998 collection Birthday Letters.
What is The Bee God about?
The poem borrows Plath's bee metaphor to examine her mental state and the towering presence of her father Otto in her life, including his role in her mental illness.
What are the key ideas in The Bee God?
The poem considers Plath's vulnerability, Hughes' difficulty understanding and empathising with her trauma, and the breakdown of their relationship.
Which Sylvia Plath poems pair with The Bee God?
It pairs naturally with The Arrival of the Bee Box, which shares its bee metaphor, and can also be read alongside Daddy.

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